Rafael Sánchez-Araña

Chief Conductor of Las Palmas Symphony Orchestra

Musical Director of the Canary Islands Zarzuela Season

Upcoming events

DIC 20, 2024

Concierto Solidario de Navidad 24-25

 

Las Palmas de Gran Canaria
Auditorio Alfredo Kraus

 

Orquesta Filarmónica de Gran Canaria.
Coro Infantil de la OFGC
Coro Juvenil de la OFGC

 

Piano: Alberto Menjón

 

Director: Rafael Sánchez-Araña
Directora de coro: Marcela Garrón

 


DIC 27-28-29, 2024

XIII Concierto Popular De Año Nuevo

 

Las Palmas de Gran Canaria
Auditorio Alfredo Kraus

 

Orquesta y Coro de la Sinfónica de Las Palmas

 

Tenor: Iván Ayón-Rivas
Trompeta: Emilio López

 

Director: Rafael Sánchez-Araña
Directora de coro: Maite Robaina

 


Bio

He is currently the principal conductor of the Orquesta Sinfónica de Las Palmas and musical director of the Canary Islands Zarzuela Season.

Between 2017 and 2023 he was the assistant conductor to the principal conductor of the OFGC, conductor of the Youth Orchestra of Gran Canaria and artistic coordinator of the Schoolchildren’s Season of the Philharmonic Orchestra of Gran Canaria.

He obtained the Superior Diploma in Violin (Castilla y León 2007) and the Superior Diploma in Choir Conducting (Canary Islands 2012). Between 2012 and 2017 he studied conducting at the Hochschule für Musik Detmold under the professorship of Maestro Karl Heinz Bloemeke and Hochschule für Musik Carl Maria von Weber Dresden under the professorship of Maestro Georg Christoph Sandmann, where he obtainned a master’s degree in conducting.

Between 2012 and 2015 he published five musical publications with the Mercurio Editorial label, including three volumes of the OEFBB, of which he was the founder, as well as other works to rescue the historical-musical heritage of the Canary Islands.

 

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Critics

32nd Zarzuela Season of the Canary Islands

October 22, 2024

LIRIC GALA - TO THE BEAT OF ZARZUELA

Sánchez Araña displayed mastery, taste, and attention to detail (La alegría de la huerta), making the strings sing in the interlude of La leyenda del beso. The highlight was La boda de Luis Alonso, thanks to the precise tempi and articulation planning that showcased all sections of the orchestra.
He accompanied the singers with care and aimed to bring the pit music to the stage with the best balance.

La Provincia

12th New Year's Concert in Las Palmas

December 31, 2023

 

Sánchez Araña, managed to draw a unique sound from the orchestra, highlighting with personality and meticulousness the details of such diverse scores. The maestro pays special attention to and values the solo interventions of the orchestra, such as the trumpet in Waltz No. 2 from Tchaikovsky's Swan Lake. Sánchez-Araña's orchestra does not sound routine, even in the most well-known pieces. The maestro imbues strength, elegance, and robustness. Refined in many concepts, he ensures that the writing of each instrument fills every corner of the hall, that the melodies glide effortlessly, and that the connection with the audience is more impactful

Opera World

«La del manojo de rosas» in Las Palmas

September 24, 2023

 

Rafael Sánchez Araña, "The conductor skillfully recreated all these styles with clarity, balance, and definition, avoiding, for example, the percussion dominating the orchestral atmosphere. Sánchez-Araña was vibrant in the more rhythmic musical numbers, while also being lyrical and intimate in the romances and duets, and in the leitmotif, starting from the protagonist's romance, which intoxicates the entire work. The conductor maintained ideal tempos, allowing the soloists to comfortably expand, despite the challenge of doubling the same melody as the orchestra with their voices. "An admirable and meticulous work on Pablo Sorozábal's score

Opera World

A Requiem with prestige in its first local performance

April 07, 2022

 

Rafael Sánchez Araña offered us an honest and meticulously planned interpretation, seeking clarity in the direction of the voices

Ritmo.es

A Necessary 'Don Pasquale' at the Pérez Galdós

March 25, 2022

 

the Gran Canarian Rafael Sánchez-Araña not only maintained the tension of the Gran Canaria Philharmonic at all times without losing the necessary liveliness in the Italian comic opera, but also achieved a seamless communion with the singers. His direction of the melancholic trumpet solo in the introduction of 'Povero Ernesto' was magnificent

ÓperaActual

A 'Luisa Fernanda' that marks a change in trend

October 18, 2021

 

Rafael Sánchez Araña was able to draw from the OFGC that energy which, without abrupt changes, managed to link with the most elegiac moments of the score

ÓperaActual