Currently, he serves as the principal conductor of the Las Palmas Symphony Orchestra and the musical director of the Zarzuela Season in the Canary Islands.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
Between 2017 and 2023, he held the position of assistant conductor to the principal conductor of the Gran Canaria Philharmonic Orchestra. During this time, he also served as the conductor of the Gran Canaria Youth Orchestra and as the artistic director of the Gran Canaria Philharmonic Orchestra’s School Concerts Season.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
He holds an advanced degree in violin performance (Castilla y Le\u00f3n, 2007) and choral conducting (Canary Islands, 2012). Between 2012 and 2017, he pursued orchestral conducting studies at the Hochschule f\u00fcr Musik Detmold under the tutelage of Maestro Karl Heinz Bloemeke and at the Hochschule f\u00fcr Musik Carl Maria von Weber Dresden, where he trained with Maestro Georg Christoph Sandmann. He earned a master\u2019s degree in orchestral conducting from the latter institution.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
He collaborated with esteemed conductors such as Karel M. Chich\u00f3n, Daniel Oren, Alessandro D\u2019Agostini, Jos\u00e9 Miguel P\u00e9rez Sierra, and Ram\u00f3n Tebar. Furthermore, he has contributed to prominent opera houses and seasons, including the Op\u00e9ra National de Bordeaux, the Lithuanian National Opera, the Tenerife Opera, the Las Palmas Opera, the P\u00e9rez Gald\u00f3s Theatre, the Cuy\u00e1s Theatre, the Alfredo Kraus Auditorium, the Paris Opera, and the National Opera of Szeged. His repertoire spans a remarkable array of titles, including *Cos\u00ec fan tutte*, *The Magic Flute*, *Il Barbiere di Siviglia*, *Carmen*, *Rigoletto*, *Nabucco*, *Aida*, *Cavalleria Rusticana*, *Tosca*, *La Boh\u00e8me*, *La Traviata*, *Don Pasquale*, *Roberto Devereux*, and *L\u2019elisir d\u2019amore*.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
He has conducted an extensive repertoire of zarzuelas, including *Do\u00f1a Francisquita*, *La Revoltosa*, *El d\u00fao de la africana*, *La del manojo de rosas*, *La Dolorosa*, *El barbero de Sevilla*, *La Verbena de la Paloma*, *La hija del Mestre*, and *Luisa Fernanda*, among others.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
He collaborates with renowned soloists such as Ermonela Jaho, Ludovic T\u00e9zier, Jessica Pratt, Roberto Scandiuzzi, Arturo Chac\u00f3n, Yulia Matochkina, Nino Machaidze, Daniela Barcellona, Ivan Ay\u00f3n Rivas, and the acclaimed pianist Ivo Pogorelich.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
Among the orchestras he has conducted are the Tenerife Symphony Orchestra, the Gran Canaria Philharmonic Orchestra, the Las Palmas Symphony Orchestra, the Granada City Orchestra, the Bilbao Symphony Orchestra, the Gaetano Donizetti Orchestra, the Udine Symphony Academy Orchestra, the Detmolder Kammerorchester, the North Czech Philharmonic, the Nuribom Young Chamber Orchestra, the Neue Lausitzer Philharmonie G\u00f6rlitz, the Elbland Philharmonie Orchestra, the Dresdner Kammerphilharmonie, the Erzgebirgische Philharmonie Aue, the Slovenian Radio and Television Orchestra, the National Opera Orchestra of Budapest, the Lithuanian National Opera Orchestra, and the Symphony Orchestra of the National Theatre of Szeged.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
In December 2022, he undertook a \u201cjumping\u201d performance of Mahler’s Symphony No. 3, stepping in for K.M. Chich\u00f3n during the subscription season of the Gran Canaria Philharmonic Orchestra.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
He has balanced his role as an orchestra conductor with his work as a music editor under the Mercurio Editorial label, dedicating himself to the recovery of various pieces from the Canary Islands’ musical heritage. In addition, he has an extensive repertoire of his own arrangements and compositions for orchestra, choir, and vocal ensembles.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”16px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n
Future Projects:<\/strong> In June 2025, he will conduct *La Traviata* by G. Verdi as part of the Lanzarote Opera Festival. In September, he is set to direct the zarzuelas *La Revoltosa* by Chap\u00ed and *El d\u00fao de la africana* by Fern\u00e1ndez Caballero during the XXXIV Canary Islands Zarzuela Season. Additionally, in November, he is scheduled to record the album *Tiempo del Alisio, sonidos de lava y sal* with the Las Palmas Symphony Orchestra.<\/p>\n[\/et_pb_text][et_pb_text admin_label=”Text” _builder_version=”4.27.4″ text_font=”Urbanist||||||||” text_font_size=”12px” text_letter_spacing=”1px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”]\n Last updated in April 2025<\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":" Currently, he serves as the principal conductor of the Las Palmas Symphony Orchestra and the musical director of the Zarzuela Season in the Canary Islands.Between 2017 and 2023, he held the position of assistant conductor to the principal conductor of the Gran Canaria Philharmonic Orchestra. During this time, he also served as the conductor of […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":14,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":" En la actualidad es director titular de la Orquesta Sinf\u00f3nica de Las Palmas, director de la Joven Orquesta de Gran Canaria, director asistente del Maestro Karel Mark Chichon<\/strong> y Coordinador Art\u00edstico de la Programaci\u00f3n de los Conciertos Escolares y en Familia de la Fundaci\u00f3n Orquesta Filarm\u00f3nica de Gran Canaria.<\/p> Nace en Ag\u00fcimes el 27 de Marzo de 1983 y desde muy temprana edad inicia su formaci\u00f3n musical con Francisco Brito B\u00e1ez<\/strong>, Jos\u00e9 Brito L\u00f3pez<\/strong>, Anatoly Romanov<\/strong> y Tatiana Romanova<\/strong>.<\/p> Es Titulado Superior en la especialidad de Viol\u00edn y Direcci\u00f3n de Coros por el Conservatorio Superior de M\u00fasica de Salamanca (2007) y el Conservatorio Superior de M\u00fasica de Canarias (2012) respectivamente.<\/p> En septiembre 2015 ingresa en la Hochschule f\u00fcr Musik Carl Maria von Weber Dresden en la especialidad de Orchesterdirigieren weiterbildender Master (Master de especializaci\u00f3n en direcci\u00f3n de orquesta) bajo la c\u00e1tedra del Maestro Georg Christoph Sandmann<\/strong> y finaliza en junio 2017 con la m\u00e1xima calificaci\u00f3n y felicitaci\u00f3n del tribunal.<\/p> Ha sido director asistente en diferentes producciones oper\u00edsticas como il barbiere di Siviglia, (Burdeos-Francia) die Zaubertfl\u00f6te dentro del Festival de \u00d3pera de Tenerife, Carmen durante la Temporada de \u00d3pera de Las Palmas o en la Traviata en la \u00d3pera de Par\u00eds, siendo el primer director canario en ser invitado por el templo parisino.<\/p> Ha dirigido diferentes orquestas entre Italia, Alemania, Espa\u00f1a y Rep\u00fablica Checa, como la Orquesta Sinf\u00f3nica de Tenerife, Orquesta Filarm\u00f3nica de Gran Canaria, Orquesta Sinf\u00f3nica de Las Palmas, Bilbao Sinfonikoa Orchestra, Orchestra del Costa Smeralda Music Festival, Orchestra Gaetano Donizetti, Orchestra Accademia Sinfonica di Udine, Detmolder Kammerorchester, Nuribom Young chamberorchestra, Elbland Philarmonie, Dresdner Kammer o la Philarmonie, Erzgebirgische philharmonie Aue.<\/p> Ha trabajado con solistas de la talla de Nancy Fabiola Herrera<\/strong>, Isabel Rey<\/strong>, Celso Albelo<\/strong>, Francisco Corujo<\/strong>, Jorge de Le\u00f3n<\/strong>, Radovan Cavallin<\/strong> o el gran pianista Ivo Pogorelich<\/strong>.<\/p> Entre sus pr\u00f3ximos compromisos destacan importantes debuts como el de la \u00d3pera de Las Palmas con La Traviata, convirti\u00e9ndose as\u00ed en el primer director canario en dirigir en toda la historia de la \u00d3pera de Las Palmas.<\/p>","_et_gb_content_width":"","footnotes":""},"class_list":["post-483","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\n